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Showing posts with label editorial. Show all posts
Showing posts with label editorial. Show all posts

Monday, 26 November 2012

Tolula Adeyemi x Institute Magazine

 Dear Lovers,

I apologise for my neglect. As promised, here is the long overdue sequence of black & white (I think everything looks better in black and white) photos I took for INSTITUTE magazine. It was a feature story. Our idea was to act out different characters, or the playful aspects of myself. I spoke mostly about my acting, theatre & film projects, past and present. More on that to follow. Meanwhile please admire the beautiful and striking work of the photographer. New york based Brit Lara Jade! Enjoy!


Tolula xoxo

Cover Picture: Institute magazine






I Think So..: Institute magazine


Waving The Flag: Institute magazine
Andy Warhol: Institute magazine


 
Bright Side of The Moon: Institute magazine


Happy Balls: Institute magazine

Friday, 30 December 2011

House of Sunny Film & Editorial

During the heatwave of this summer I was shot by photographer Wayne Johns, in glorious Richmond and performed in a short fashion film with Sunny Williams label House of Sunny.
  No bad Sunny-Sunny jokes, just beautiful film and photographs. The short film still to come. But please see for yourself.



 Collection House of Sunny Photography: Wayne Johns






Graduating with honours from University and after training on Saville Row, designer Sunny Williams set up his own quintessentially British fashion label, House of Sunny. The fashion house's first TIGI sponsored collection was featured in Italian Vogue, with a key piece used for the TIGI campaign by JIV. 

Beautiful Safari - All photography by Wayne Johns


 Williams draws his inspiration and his philosophical approach to design from The Fibonacci Theory, where he applies the numbers in nature to his aesthetic and sees nature as the ultimate machine. He follows in the footsteps of artists such as Leonardo Da Vinci who used the techniques of the Fibonacci number sequence within their art. Sunny believes that these numbers are the reason why everything in the world looks so perfect and he uses the perfect Fibonacci code to design each unique piece in his collection. Since working with him I am starting to agree with his philosophy and mathematical approach to design. Now onto the film, stay tuned.